It is an art movement that inherits the tradition of suprematism, but is distinguished by its voluminous rather than flat geometry and rather complex names. If the suprematists tried to find
the beginning of painting by removing the background, colour and simplifying the silhouettes, then neosuprematism is not looking for either the beginning or the end of painting, it tries to
create a void between the signifying and the signified to find new ways of linking the visual and the conceptual. Here you can see street works (murals and installations) and plates artwork.
Within the framework of neosuprematism, see also the project «Monotonous Objects».
«The assumption that there are six figures here, two of which are not visible from this side» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«Something about flying and pretty fast movement» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«Composite mechanical entity in the form of frozen distributed plates» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«Mirroring and duplicating on a heterogeneous background» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«.» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«Invading the blue and confronting it» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«A radical nuance that breaks a lot of rules and changes the meaning of the composition» Fiberboard, acrylic, lacquer, 99x51cm, 2018
«Sudden enthusiasm against the backdrop of an elevated mood, the result of which are four blue figures on a green plane» Fiberboard, acrylic, lacquer, 98x62cm, 2018
«Orange architectural sleep in a gentle blue space» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«A very blue three-layer turnstile from some subway station» Fiberboard, acrylic, lacquer, 170x137cm, 2018
«Hope for your own resilience in the face of many traumatic experiences» Fiberboard, acrylic, lacquer, 80x70cm, 2016
«The End of Love» Fiberboard, acrylic, lacquer, 138x90cm, 2016